Sabtu, 31 Oktober 2015

PDF Download Bandersnatch: C.S. Lewis, J.R.R. Tolkien, and the Creative Collaboration of the Inklings

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Bandersnatch: C.S. Lewis, J.R.R. Tolkien, and the Creative Collaboration of the Inklings

Bandersnatch: C.S. Lewis, J.R.R. Tolkien, and the Creative Collaboration of the Inklings


Bandersnatch: C.S. Lewis, J.R.R. Tolkien, and the Creative Collaboration of the Inklings


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Bandersnatch: C.S. Lewis, J.R.R. Tolkien, and the Creative Collaboration of the Inklings

Review

No one knows more than Diana Pavlac Glyer about the internal workings of the Inklings. In Bandersnatch, she shows us how they inspired, encouraged, refined and opposed one another in the course of producing some of the greatest literature of the last one hundred years. A brilliant and beautifully clear case study of iron sharpening iron. --Michael Ward, coeditor of C.S. Lewis at Poets CornerThe Inklings are about as important a group as ever existed in the literary world. This tremendous new book about them is much anticipated and hugely welcome! --Eric Metaxas, New York Times Bestselling author of Bonhoeffer and MiraclesWhat a gift! Bandersnatch is a joy to read and helps dispel that dangerous myth that our greatest writers created in solitude. We all need community in order to do our best work, and this book will show you how some of the greatest minds of the twentieth century did just that. You won't be able to read this book just once. --Jeff Goins, founder of Tribe Writers and author of The Art of Work

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About the Author

Diana Pavlac Glyer is an award-winning writer who has spent more than 40 years combing through archives and studying old manuscripts. She is a leading expert on C. S. Lewis and J. R. R. Tolkien; her book The Company They Keep (The Kent State University Press, 2007) changed the way we talk about these writers. Her scholarship, teaching, and work as an artist all circle back to one common theme: creativity thrives in community. James A. Owen has written and illustrated the Starchild graphic novel, the Mythworld series of novels, the bestselling The Chronicles of the Imaginarium Geographica, and the forthcoming series Fool's Hollow. He is also the author of the inspirational nonfiction trilogy The Meditations and the illustrator/designer of The Hundred Books Project, a series that showcases some of the greatest books ever published. His books have been translated into more than twenty languages, and more than a million copies are in print. He works in the Coppervale Studio, a century-old restored church in Northeastern Arizona.

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Product details

Paperback: 224 pages

Publisher: The Kent State University Press / Black Squirrel Books (December 8, 2015)

Language: English

ISBN-10: 1606352768

ISBN-13: 978-1606352762

Product Dimensions:

6 x 0.6 x 9 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

111 customer reviews

Amazon Best Sellers Rank:

#121,361 in Books (See Top 100 in Books)

Bandersnatch is an inspirational book based on the Inklings’ creative thought process. C.S. Lewis and J.R.R. Tolkien met when they were at a faculty meeting and soon after found out they had a lot in common with storytelling, poetry, and language. They eventually formed the Inklings, a group of Oxford men who read aloud each other's work and found ways to improve it. Even though the Inklings were thorough in their feedback, not everyone would agree with each piece of writing. Throughout the years, some of the most famous books were published by the Inklings. The Chronicles of Narnia were written by Lewis, but surprisingly, Tolkien did not support this series; he did not like the books at all. Tolkien published The Lord of the Rings and The Hobbit, and the books were edited by his best friend Lewis and the other members of the group. Through all the time the Inklings spent together, they created some of the most famous literature known today.Bandersnatch is a phenomenal book; Diana Glyer hit all the right points in this story. She explained in great detail the thought process of how the Inklings evaluated each piece of writing. There was a great deal of research that went into this book, and she did an outstanding job. Diana explained all the writers in the story and who the Inklings were. She gave a great amount of detail and information, but she made it easy to read. This is the best book based on the study of collaboration that I have ever read!

Years ago I heard that there were those among the biographers of Tolkien who believed that the members of the Inklings did not have a significant influence on his creative work, and possibly not much on other members’ writings either. That never made sense to me: how in the world could these brilliant thinkers meet every week for decades to read drafts of their new work and *not* influence each other? Diana Pavlac Glyer has dispelled that misperception for good with her meticulously researched and insightful book, "The Company They Keep," which is recognized as a benchmark of scholarship for understanding how Inklings worked and the impact they had on each other. "Bandersnatch" was written for a different purpose, but it rests on and draws from the breadth and depth of her prior research and analysis.If you are already an Inklings fan, here is a feast of tasty morsels to savor! The author gives example after example from letters, margin notes, dedications, conversations, diaries and the like to show how the works of members of the Inklings were shaped by the others. For example, Tolkien was floundering in his attempt to produce a “Hobbit sequel” until Lewis gave a piece of advice about which Tolkien recorded: “Mr Lewis says hobbits are only amusing when in unhobbitlike situations.” Suddenly, Tolkien had a new direction for his story, more serious and weighty, and he soon reported that the story “is now flowing along.” This is the kind of detail, complete with specific dating, that the author provides to demonstrate how the Inklings did, indeed, support and influence each other’s work in substantive ways.But even if you aren’t especially familiar with the Inklings, you will find much in this book to chew on and enjoy. Her description of the creative process in general, with its fits and starts, highs and lows, and different styles of creative work, has implications in many settings. Her insights into what productive collaboration requires and what supports and what hinders it are also widely applicable. At the end of every chapter, the author offers practical comments under the heading of “Doing What They Did.” In one of those sections, her distinction between giving diagnostic feedback vs prescriptive feedback immediately resonated with me (I work in the medical field); it also sparked insights for my personal life. Collaboration is not just for creatives. Or perhaps it is better to say that creativity is required in different forms in different settings, and collaboration is vitally important for it to flourish in any of them.With gorgeous illustrations by James A Owen and the author’s silky smooth prose, this book is a delight to read. It is clear from many examples that the author practices what she preaches. This book has grown from her own creative collaborations and the “leaf-mould of the mind” (Tolkien’s apt phrase). It is well worth reading and pondering; I highly recommend “Bandersnatch.”

Personally, I think every public library in the United States should have a copy of this book. It provides a solid introduction to the writing processes of C.S. Lewis, J.R.R. Tolkien, and the members of their writing group known as the Inklings. This book, for the general reader, shows the ways members of the Inklings collaborated in each other's written work. The collaborations improved the books, promoted them to the public and provided fellowship among the members. Readers of Tolkien and Lewis's books usually become interested in the Inklings and this book is a great place to learn who they were and to answer many natural questions that arise.It is interesting that Bandersnatch is a self-reporting product of collaboration. 1. The author met regularly with a group of her students, "Team Bandersnatch", to read the work in progress for their feedback. 2. The book contains 11 beautiful illustrations showing members of the Inklings, with a Bandersnatch someplace in each design. The author worked extensively with the artist. 3. The author mentions, in the text, collaborative work with a colleague on research about creative collaborative groups. 4. And, the front-matter says the author's daughter liked the title.It is a book discussing the history of a successful creative writing group that contributed both to Tolkien`s The Lord of the Rings and Lewis' Narnia books but also to many worthy but less well known works of other members such as Owen Barfield, Charles Williams, or Lewis' brother Major Warren Lewis.The book provides an ongoing discussion of the value of creative collaborative groups, of all kinds, and uses characteristics of the Inklings to illustrate what contributes to successful groups. The discussion provides insights from the author's own long and hard-earned experiences participating in and leading collaborative groups. There is a tip at the end of each chapter on how to make or maintain a group.To sum up, I really enjoyed this book. My opening statement is not hyperbole. I do believe that every public library in the United States should own a copy of this book. In fact, every library that provides information on English literature should do so, either this or its predecessor The Company They Keep (an academic book). I think the contributions of the Inklings to English literature and to contemporary culture are so significant that it makes the study of their history relevant, and this book is a wonderful contribution to the great conversation about the Inklings, their place in history and literature, and the process of how they formed and maintained their creative group.

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Minggu, 25 Oktober 2015

Download Writing Up Qualitative Research (Qualitative Research Methods)

Download Writing Up Qualitative Research (Qualitative Research Methods)

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Writing Up Qualitative Research (Qualitative Research Methods)

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Writing Up Qualitative Research (Qualitative Research Methods)


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Review

"Harry Wolcott’s book is one of those little must-have, must-read gems. The voice of experience is unmistakable. It’s great fun to read, and chock full of helpful, how-to-do-it advice." Author: H. Russell Bernard"Written in an easy-to-read, conversational tone, Writing up Qualitative Research is useful and interesting and will be an important aid to graduate students working in their dissertations. It will also enable recent doctorates who accept university prositions to advance in their profession through writing and publishing." Source: Harvard Educational Review

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About the Author

Harry F. Wolcott (Ph.D. Stanford) taught at the University of Oregon, serving on both the faculties of education and anthropology. He authored several ethnographic texts that included his experiences among the Kwakiutl Indians of British Columbia and with the African Beer Gardens of Bulawayo, Rhodesia, as well on ethnographic method and on writing itself, with a focus on qualitative research. His publications included: Transforming Qualitative Data (SAGE 1994); Art of Fieldwork (2nd ed., Altamira Press 2005); Ethnography: A Way of Seeing (2nd ed., Altamira Press 2008); Writing Up Qualitative Research (3rd ed., SAGE 2009); Sneaky Kid and Its Aftermath: Ethics and Intimacy in Fieldwork (Altamira 2002), and Ethnography Lessons: A Primer (Left Coast Press, 2010).

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Product details

Series: Qualitative Research Methods

Paperback: 208 pages

Publisher: SAGE Publications, Inc; 2nd edition (May 23, 2001)

Language: English

ISBN-10: 0761924299

ISBN-13: 978-0761924296

Product Dimensions:

6 x 0.5 x 8.8 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#1,302,062 in Books (See Top 100 in Books)

Wolcott provides a great tool for qualitative researchers with this work. Some of his thoughts will certainly assist when the time has come to write your qualitative research project.

Okay nothing to shout about

Excellent

Once again, Harry gives his best.

I found this book more helpful than any dissertation-writing manual, and will rely on it for future projects beyond the PhD. Wolcott's honest and funny writing style makes you feel like a friend, and his advice is truly useful. The book is a great motivator as well, particularly during those frustrating stages of writing/revising. I highly recommend this book to anyone sitting on a mound of qualitative data who needs a bit of companionship along the way.

This book has been very helpful in determining where to start and steps to make for completing a qualitative research project. It offers suggestions of "how to" and provides application tips that make a sometimes seemingly overwhelming project manageable.

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Rabu, 21 Oktober 2015

Download PDF Necronomicon

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Product details

#detail-bullets .content {

margin: 0.5em 0px 0em 25px !important;

}

Audible Audiobook

Listening Length: 21 hours and 1 minute

Program Type: Audiobook

Version: Unabridged

Publisher: Blackstone Audio, Inc.

Audible.com Release Date: August 14, 2014

Language: English, English

ASIN: B00MPXGWCK

Amazon Best Sellers Rank:

Excellent narration, particularly by Keith Szarabajka and Tom Weiner. I'd never heard or read any of Lovecraft's work before, and this was a very good introduction. His style is quite unique.For some reason, there is no track listing or even a list of the stories that are included. So here it is, along with the corresponding chapters in the audiobook:- Dagon (Ch. 1)- Herbert West - Reanimator (Ch. 2-7)- The Lurking Fear (Ch. 8)- The Rats in the Walls (Ch. 9)- The Whisperer in Darkness (Ch. 10 - 17)- Cool Air (Ch. 18)- In the Vault (Ch. 19)- The Call of Cthulhu (Ch. 20 - 22)- The Color Out of Space (Ch. 23)- The Horror at Red Hook (Ch. 24 - 30)- The Music of Erich Zann (Ch. 31)- The Shadow Out of Time (Ch. 32 - 39)- The Dunwich Horror (Ch. 40 - 49)- The Haunter of the Dark (Ch. 50)- The Outsider (Ch. 51)- The Shunned House (Ch. 52 - 56)- The Unnameable (Ch. 57)- The Thing on the Doorstep (Ch. 58 - 62)- Under the Pyramids (Ch. 63)

I would give this a 5-star rating but it doesn't have a track list of any kind. I had to make my own. So here it is.Disk 1Dagon / Track 1 - Track 6Herbert West, Reanimator / Track 7 - Track 24Disk 2Herbert West, Reanimator / Track 1 - Track 6The Lurking Fear / Track 7 - Track 23Disk 3The Rats in the Walls / Track 7 - Track 16The Whisperer in the Darkness / Track 17 - Track23Disk 4The Whisperer in the Darkness / Track 1 - Track 25Disk 5The Whisperer in the Darkness / Track 1 - Track 24Disk 6The Whisperer in the Darkness / Track 1 - Track 2Cool Air / Track 3 - Track 10In The Vault / Track 11 - Track 17The Call Of Cthulhu / Track 18 - Track 24Disk 7The Call Of Cthulhu / Track 1 - Track 21The Color Out Of Space / Track 22 - Track 24Disk 8The Color Out Of Space / Track 1 - Track 21The Horror at Red Hook / Track 22 - Track 24Disk 9The Horror at Red Hook / Track 1 - Track 15The Music of Eric Zahn / Track 16 - Track 22The Shadow Out of Time / Track 23 - Track 25Disk 10The Shadow Out of Time / Track 1 - Track 23Disk 11The Shadow Out of Time / Track 1 - Track 25Disk 12The Dunwich Horror / Track 1 - Track 25Disk 13The Dunwich Horror / Track 1 - Track 17The Haunter of the Dark / Track 18 - Track 24Disk 14The Haunter of the Dark / Track 1 - Track 12The Outsider / Track 13 - Track 18The Shunned House / Track 19 - Track 23Disk 15The Shunned House / Track 1 - Track 17The Unnameable / Track 18 - Track 24Disk 16The Thing on the Doorstep / Track 1 - Track 24Disk 17Under the Pyramids / Track 1 - Track 21

NOTE: This is for the Audible Audio Edition, which is the product page I'm on. For some reason all the other reviews here are for the paperback.In terms of the stories contained and their performances, this production is great. I had already read several of the stories before and I was already a fan of Lovecraft, so there were no surprises there. I haven't listened to the entire thing, yet, but so far all the performances have been excellent.There is one major flaw with this production that is very irritating. There is NO track listing of any kind. Even on the product page there is no listing of what stories are contained or who the performers are. This is pure laziness. It seems to be a problem with many short story collections. To make matters worse, they don't even break the audio files into separate story tracks, which is absurd. Even without titles, if they had at least broken it down into "Track 1, Track 2, Track 3," etc. for each story it would be more manageable. As it is, you get 3 separate files and you basically have to listen through the whole thing first, take notes, and then fast forward to whatever story you want. This is completely and utterly ridiculous. Blackstone Audio should know better.If they fix this, I will give it a better rating.

Some of the stories are hit, and some of the stories are miss. When narration and story align, it is incredible. Some narrators were very difficult to listen to.Among the great stories: The Outsider (by far), The Colour Out of Space, The Dunwich Horror, The Thing on the Doorstep, and The Rats in the Walls.

Over 20 hours of well narrated, ghoulish stories by the other-worldly Lovecraft. If you use an audible credit for this, it is worth it!

Great performance

I'm an atheist, and do not believe in the super natural. However listening to this alone, in the dark made me feel like a kid again! Every noise I heard had me thinking something was out there. Even though my rational mind knew better.

Quite happy with this product. I mainly use it as a backup.The sound quality is quite good and it gives me decent isolation, even in the tube.

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Senin, 19 Oktober 2015

Free PDF Curb Rights: A Foundation for Free Enterprise in Urban Transit

Free PDF Curb Rights: A Foundation for Free Enterprise in Urban Transit

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Curb Rights: A Foundation for Free Enterprise in Urban Transit

Curb Rights: A Foundation for Free Enterprise in Urban Transit


Curb Rights: A Foundation for Free Enterprise in Urban Transit


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Curb Rights: A Foundation for Free Enterprise in Urban Transit

From the Back Cover

The authors of this book say it's time to rethink the fundamental structure of transit policy. The book focuses on street-based transit - buses, shuttles, and jitneys. The authors propose that urban transit be brought into the fold of market activity by establishing property rights not only in vehicles, but also in curb zones and transit stops. Market competition and entrepreneurship would depend on a foundation of what they call "curb rights". By creating exclusive and transferable curb rights (to bus stops and other pickup points) leased by auction, the authors contend that American cities can have the best of both kinds of markets - scheduled (and unsubsidized) bus service and unscheduled but faster and more flexible jitneys. They maintain that a carefully planned transit system based on property rights would rid the transit market of inefficient government production and overregulation. It would also avoid the problems of a lawless market - cutthroat competition, schedule jockeying, and even curbside conflict among rival operators. Entrepreneurs would be free, able, and driven to introduce ever better service, revise schedules and route structures, establish connections among transit providers, facilitate passenger interchange, introduce new vehicles, and use new pricing strategies. And travelers would find public transit more attractive than they do now.

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Product details

Paperback: 164 pages

Publisher: Brookings Institution Press (January 1, 1997)

Language: English

ISBN-10: 0815749392

ISBN-13: 978-0815749394

Product Dimensions:

6 x 0.4 x 9 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

3.3 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#4,120,949 in Books (See Top 100 in Books)

The authors suggest a hybrid system of urban mass-transit consisting of both privately-owned, flexibly-scheduled & routed and public-owned, fixed scheduled & routed bus systems. In order to prevent the flexibly-scheduled system from parasitically skimming passengers from the fixed route system, the authors suggest the promotion of "curb rights" to separate the operations.This would allow the predictably high-volume routes to be served by the high-volume, large bus & cost overhead municipal operation while allowing the service increases possible through the addition of smaller and possibly innovative operators.Makes sense to me. While clearly advocating their position, the authors recognize and address the ligitimancy of the municipalities' concerns over service preservation. With sensible implentation, I'm sure it would work to improve urban transit which (it seems to me) currently consists of balancing the interest of car-driving taxpayers to limit transit subsidies and the interests of Municipal Transit Agency employee unions to maximize employee wages and benefits, with the transit customer well down on the list of concerns.

There would be no need to take a "survey on how customers felt before and after deregulation." The "survey" would be expressed by customers voluntarily using the service, i.e. whether they were willing to purchase rides on deregulated transit vehicles. If customers were satisfied, the transit company would prosper. If not, they would go out of business and another company could enter the market and provide satisfactory service. That is the only survey that counts! If that's too much Econ 101 speculation, then you just don't get it!

I wouldn't spend any money on this book. The theory espoused in this book is so far from reality, it isn't funny.This book promotes the notion that "free enterprise" must be inserted into public transit so as to maximize the benefits to passengers and society at large.However, this notion is demonstrably wrong.For example, local bus operations in British cities outside of London were completely de-regulated in the 1980's by the national Tory government, e.g., public funding was almost entirely cut off and private bus companies were allowed to compete freely against one another (as opposed to "privatization" in the U.S. which has mainly meant a public agency putting service out to competitive bid). Regional pass schemes allowing passengers to freely transfer from one route or operator to another were abolished.The results are conclusive. Bus patronage in British cities dropped more than 30% by the early 1990's. In London, bus patronage over the same period actually increased somewhat, despite major cuts in subsidy funding. The difference was that London retained regional governmental control of fare and service decisions, despite putting much of the service out to bid.The disaster of British local bus de-regulation has also been repeated in spades by the ill-considered "privatization" of British Rail. Rail privatization has been a big enough disaster to become one of the hottest public issues in Great Britain.The successes obtained by "centralized" regional planning and decision-making authority in elected government hands is quite conclusive in other countries. In Zurich, per capita transit usage is among the highest in the developed world, exceeding a number of Japanese cities. Zurich's success--in one of the most affluent, high auto-owning urban areas on the planet--is based on centralized planning at the canton level, plus generous government funding. Zurich has managed to retain very high transit market share despite rapid motorization since the 1960's. The reasons that Toronto, Canada's past success with generating high transit usage levels, are essentially the same as Zurich, though the current pseudo-free market provincial government in Ontario is too boorish to understand this."Free market" economists like Klein often cite the "success" of private transit in Southeast Asia; however, those "capitalist" bastions of Hong Kong, Singapore, and Malaysia have relied on centralized planning and sufficient funding to allow new transit systems to function through selective privatization, but not anywhere near the model that Klein espouses. In effect, government transportation policies in Hong Kong and Singapore guarantee the transit market (e.g., car use is restricted, heavily taxed). The Zurich and Toronto models have proven to be less authoritarian.Klein proves how blinkered economists--particularly those who espouse "libertarian" views ("new right" in British and Australian terms)--are very shortsighted about public transit and other similar public policy issues.For one of the few books that I've seen that "gets it right," I recommend "A Very Public Solution" by Paul Mees, a professor of Planning and Public Policy at Melbourne University, Melboune, Australia (yes, Amazon carries it).Mee's point about urban transit is best summed up by this from one of my unpublished papers:Flexibility would be the greatest benefit of improved transit to "transit dependents" and would-be "choice" users. This is clearly explained by the book "A Very Public Solution" (Page 289; Dr. Paul Mees, Melbourne University Press, 2000. Melbourne, Australia):(Mees' excerpt):With public transport itself, the critical issue is flexibility. And the key to flexibility for passengers is simplicity and predictability, not a bewildering array of constantly changing options. The latter produces confusion, not convenience. Paradoxically, to be flexible, public transport must also be rigidly predictable: perhaps the best analogy is with the road system, rather than with cars themselves...This means that frequent service on an easy-to-understand, predictable, and reliable network of regional and local transit services delivers vastly superior flexibility to the customer. Such transit systems typically service a far higher percentage of "choice" patronage. Compared to an infrequent, specialized, hard to understand jumble of routes, such transit networks compete successfully with automobiles.A Very Public Solution's prime case study is Toronto, Canada. Toronto has significantly higher per transit usage per capita than many European cities, an order of magnitude higher than most U.S. urban areas. Toronto's exceptionally high transit use occurs despite millions of residents living in dispersed suburbs essentially indistinguishable from the American norm. Canadian fuel prices are only slightly higher than the United States. There are more similarities than differences between Canadian and U.S. culture. Toronto's transit usage remain high, despite service cuts caused by an early 1990's recession.

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Sabtu, 17 Oktober 2015

Download Ebook By the Renewing of Your Minds: The Pastoral Function of Christian Doctrine, by Ellen T. Charry

Download Ebook By the Renewing of Your Minds: The Pastoral Function of Christian Doctrine, by Ellen T. Charry

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Review

"A significant contribution to both academic and pastoral theology, and might go a long way toward healing the breach between the two."--Bruce D. Marshall, St. Olaf College"By the Renewing of Your Minds is an illuminating and challenging treatise, especially for those whose vocation is teaching Christian doctrine."--Presbyterion"This ground-breaking volume...is the first to deal at length with the pastoral function of doctrine....Charry has had the daring and imagination to propose a long-range research program which has the possibility of radically redirecting now sterile but still deeply entrenched habits of thinking about doctrine.... Charry's book will prompt much-needed further mining of the doctrinal tradition for its pastoral riches."--Christian Century"Long has doctrinal theology suffered under the suspicion of being utterly irrelevant, even inimical to the life and witness of the church and to the lives of Christian people. Charry has put that old caricature to rest in this remarkable and compelling book...This is a book of great wisdom and passion. It is deeply learned, well written, and carefully researched. Most of all, it is a prophetic call to professional teachers of theology to renew the tradition of teaching doctrine for the formation of virtue and for the knowledge of God."--nterpretation"[Charry] is earnest about her efforts to promote grassroots theological formation. She has a heart for helping everyday people to come to know and love the Lord....A timely and powerful book."--Christianity Today

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About the Author

Ellen Charry is at Princeton Theological Seminary.

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Product details

Paperback: 280 pages

Publisher: Oxford University Press; New Ed edition (September 16, 1999)

Language: English

ISBN-10: 0195134869

ISBN-13: 978-0195134865

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9.1 x 0.8 x 6.1 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#813,334 in Books (See Top 100 in Books)

I am reading this book for a theological discussion class in divinity school. Charry has great overviews of some of the major theologians in church history. The first chapter is a little difficult to get through (lots of theological terminology), but Charry is brilliant and has much to offer. This is a great book for theological studies for a lay person who wishes to delve deep in study or for a student.

My son used this for his college class. It arrived on time. The book was as described in the information. My son enjoyed reading this book.

Dr. Ellen Charry is professor of theology at Princeton Theological Seminary and has over 70 published works, including scholarly contributions, commissioned essays, and journal articles. She has served in an editorial capacity for many issues of Theology Today, and provides itinerant lectures at academic and faith-based venues around the world. Charry's book By the Renewing of Your Minds examines Christian doctrine from the Apostolic era through the Reformation era, challenging church leadership that the central theological task must be to assist people to come to God (p. 5). Accordingly Charry calls on pastors to use Christian doctrine to help people flourish through both knowing and loving God.The book is organized into six sections, each with one or more chapters. To begin, the author coins the term aretegenic to describe virtue-shaping qualities; it is from this lens that Charry challenges leadership to employ theology specifically to foster character formation as she judiciously examines texts from the New Testament to the Reformation period. Part two teaches about Paul and his school, reminding us that God's plan to save people is from eternity past (p. 37). Equally important the author writes how the Spirit and the cross are agents of humility, reminding us of the aretegenic life we ought to lead ourselves. Another chapter provides a duteous study of the Sermon on the Mount, canvasing the historical landscape of Christ's extraordinary message in the likely face of Pharisaic opposition.Parts three through five survey selected historical texts from patristic, medieval and sixteenth-century voices including Athanasius of Alexandria, Basil of Caesarea, Augustine of Hippo, Anselm of Canterbury, St. Thomas, Dame Julian, John Wesley, and John Calvin. In these works Charry examines a wide range of subjects and the importance of teaching these as a great pastoral function, including the virtue of knowing God; the Trinity; the absolute divinity of the Holy Spirit; Christ's incarnation, death, and resurrection; the Holy Spirit as the agent of sanctification; divine mercy and divine justice; and baptism.In part six, the author summarizes well her compelling case "that Christian doctrine can guide the Christian life because it forms identity and character" (p. 240). Charry highlights a distinguishing characteristic persistently observed by examining 1600 years of theological writings: the intensity of one's devotional life is commensurate to one's inner yearning for God; and whilst initial yearning is also a gift from the Holy Spirit, once ignited it must be individually practiced and honed.In summary, Charry's book is well organized, highly researched, and convicting. She makes a careful case to church leadership to beware of merely academic or cognitive theology. She notes that responsible pastoring is also a theological art of practice - a practice that starts from within; for in the exercise of making Christ known, we must first know him. To be sure, every eager learner or church leader would do well to read and reflect upon Charry's insightful and well researched book.

Readers of this volume will be taken on a crash course ride through some of the major names of pre-modern theology. By putting these foundational theologians back into the pre-modern context in which they wrote, Charry succeeds in giving both the Pastor and the layperson the space to reclaim the aretological power of these works.However, I feel that the real center of gravity of Charry's work is the theoretical and theological framework that she sets up for this exploration. By engaging in an essentially post-modern critique of the limitations of the thinking of modernity while not claiming the (problematic) label of "post-modernity," Charry gives the readers the tools s/he needs to reclaim the aretological power of not just these texts, but other pre-modern texts and in fact the Faith itself.Not intended to be a works of apologetics, this framework can serve as a strong apologetic critique the twin fundamentalisms of the religious right and the insurgent "new atheism."Strongly recommended to all theologians, laypeople, and pastors interested in freeing themselves from tyranny of modernity that is found in its rigid dualism.

Excellent

Dr. Ellen Charry understands the writings of early patristic fathers and mothers to be more than just apolgetics. Dr. Charry gets to the core of their writings by discovering that the authors are calling for excellence (aretology) in each and every Christian. This book brings clarity and flavor to the classical Theologians of early Christian history.

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Selasa, 06 Oktober 2015

Ebook Download , by Matt Oldfield

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File Size: 1228 KB

Print Length: 176 pages

Publisher: Dino Books (October 19, 2017)

Publication Date: October 19, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B076H1QN1C

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