Rabu, 21 Juli 2010

Free Download Oceanography: An Invitation to Marine Science

Free Download Oceanography: An Invitation to Marine Science

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Oceanography: An Invitation to Marine Science

Oceanography: An Invitation to Marine Science


Oceanography: An Invitation to Marine Science


Free Download Oceanography: An Invitation to Marine Science

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Oceanography: An Invitation to Marine Science

About the Author

Tom Garrison (Ph.D., University of Southern California) was an inspiring professor of Marine Science for over 47 years at Orange Coast College in Costa Mesa, California -- one of the largest undergraduate marine science departments in the United States. Dr. Garrison also held an adjunct professorship at the University of Southern California and won multiple teaching and education awards during his career. He was a founding member of the Consortium for Ocean Science Exploration and Engagement, wrote a regular column for the journal Oceanography, and enjoyed writing for National Geographic magazine. Dr. Garrison was an Emmy Award team participant as writer and science advisor for the PBS syndicated Oceanus television series, and writer and science advisor for The Endless Voyage -- a set of television programs in oceanography. His widely used textbooks in oceanography and marine science are the college market's best sellers, and 42 years of teaching allowed him to pass his oceanic enthusiasm to more than 65,000 students in his career.

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Product details

Hardcover: 640 pages

Publisher: Brooks Cole; 9 edition (January 1, 2015)

Language: English

ISBN-10: 1305105168

ISBN-13: 978-1305105164

Product Dimensions:

9 x 1.1 x 10.9 inches

Shipping Weight: 3.9 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

90 customer reviews

Amazon Best Sellers Rank:

#98,489 in Books (See Top 100 in Books)

The book was in pretty good condition, though the previous owner already used a high-lighter pen in the book. So far, the high-lighting is not an issue since they didn't go crazy. I have really enjoyed the book and think that it is a great and thorough text to cover introductory oceanography. I would recommend this book for learning about the ocean and for beginners.

Very well organized book! Lots of story as well as history and great explanatory pictures.Just didn't care for the previous renters highlighting.

Perfect book.for my daughter's class. Exactly what she needed and a beautiful display of Oceanography in a nice quality Hardback book. Thank you!

As described and at a 250% cost savings.

Haven't finished it yet

I hated this class but I did find the book enjoyable to read. Very interesting information and I did not find it difficult to understand.

Book came fast, was in perfect condition! However, instead of it being a soft cover, it was just all the pages of the book 3 hole-punched so had to put it in a binder- a little hard to flip back and forth... but otherwise, great!

This nicely edited book provides a general information, but well selected what is important, and is very well organized.

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Senin, 05 Juli 2010

Free Download Bob Dylan in America, by Sean Wilentz

Free Download Bob Dylan in America, by Sean Wilentz

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Bob Dylan in America, by Sean Wilentz

Bob Dylan in America, by Sean Wilentz


Bob Dylan in America, by Sean Wilentz


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Bob Dylan in America, by Sean Wilentz

Review

"Wilentz’s book stands apart . . . in the lucidity of its prose, the rigor of its research and convincing originality of the place he assigns his subject in the context of American cultural history. . . . Here is scholarship that successfully slips the bonds of specialty and pretension.” —Los Angeles Times “Author Sean Wilentz combines a lifelong music fan’s enthusiasm with a history detective’s doggedness to unearth Dylan’s entire root system. . . . The book is at once a time-hopping biography; a catalog of Dylan’s myriad, eclectic influences . . . and a primer on American music.” —The Christian Science Monitor  “Not just another biography of the chameleon folkie-rock-star-poet-troubadour. . . . At once deeply felt and historically layered.” —The Washington Post Book World“Among those who write about Dylan, Wilentz possesses the rare virtues of modesty, nuance and lucidity, and for that he should be celebrated and treasured.” —The New York Times Book Review “A panoramic vision of Bob Dylan, his music, his shifting place in American culture, from multiple angles. In fact, reading Sean Wilentz’s Bob Dylan in America is as thrilling and surprising as listening to a great Dylan song.” —Martin Scorsese“Extraordinary. . . . With Wilentz, the world around, and inside the head of, Bob Dylan becomes an aperture into the deeper meaning of the American experience. . . . Wilentz has managed to write both the most important book on American history and the most important book on American music in recent memory.” —PopMatters.com  “An enjoyably thorough, convincing explanation why Dylan’s music has gone on finding new audiences ever since he burst upon the New York folk scene of the early 1960s, fresh from the iron range of northern Minnesota and ferociously ambitious for his art.” —Los Angeles Times “All the American connections that Wilentz draws to explain the appearance of Dylan’s music are fascinating, particularly at the outset the connection to Aaron Copland. The writing is strong, the thinking is strong— the book is dense and strong everywhere you look.” —Philip Roth“Passionate and informative.” —The New York Review of Books  “A tour de force. . . . By the end, he’s masterfully … offer[ed] not so much an image of Dylan’s place in America as a carefully calibrated lens with which to see it for yourself.” —Newsweek “Unlike so many Dylan-writer-wannabes and phony ‘encyclopedia’ compilers, Sean Wilentz makes me feel he was in the room when he chronicles events that I participated in. Finally a breath of fresh words founded in hardcore, intelligent research.” —Al Kooper“[Bob Dylan in America’s] unusual structure [is] well-suited to exploring Dylan’s career, with its many distinct eras governed by different rules, even different gods. The Dylan of this book is not a troubadour or a trickster or a radical, but an alchemist who never met a snippet of music, writing, or art that he couldn’t make his own.” —New York Magazine  “A reading of Dylan’s work within the wider framework of American culture—a [topic] Wilentz . . . tackles with vigor.” —The Onion’s A.V. Club “Wilentz lays out nuanced arguments on the profound effect Dylan has had on expanding the American consciousness in his five-decade career as a singer and songwriter.” —The Newark Star-Ledger  “[Wilentz] mixes his history and critical assessments with long, often thrilling accounts of concerts and recording sessions. . . . What this book finally does—this is me, not Wilentz—is establish Dylan as the 20th century’s Walt Whitman.”—Bryan Appleyard, The Times (London)  “Sean Wilentz is one of the few great American historians. His political and social histories of American Democracy are masterful and magisterial…. A masterpiece of cultural history that tells us much about who we have been and who we are.” —Cornel West, Class of 1943 University Professor in the Center for African American Studies at Princeton University “Interesting and intelligent.” —The Guardian (London)  “By focusing on the parts of Dylan’s canon that most move him, Wilentz gets straight to the heart of the matter. If you thought there was nothing new to say about Bob Dylan’s impact on America, this book will make you think twice.” —Bill Flanagan, author of A&R and Evening’s Empire and Editorial Director, MTV Networks“Wilentz combines his deep musical knowledge with the skills of the fine historian to write one of the most important, insightful and revelatory books about America, its culture and its people, as interpreted through the works of one of its greatest artists. His book is a work both of deep scholarship and profound cultural engagement: a rare and marvelous achievement.” –Philip King, The Irish Times

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About the Author

Sean Wilentz is the George Henry Davis 1886 Professor of American History at Princeton University. He is the author of The Rise of American Democracy, which received the coveted Bancroft Prize, and most recently of The Age of Reagan. The historian-in-residence for Bob Dylan’s official We site, he has also received a Deems Taylor Award for musical commentary and a Grammy nomination for his liner notes to Bootleg Series, Vol. 6: Bob Dylan, Live 1964: The Concert at Philharmonic Hall.

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Product details

Paperback: 416 pages

Publisher: Anchor; Reprint edition (October 4, 2011)

Language: English

ISBN-10: 0767931793

ISBN-13: 978-0767931793

Product Dimensions:

5.4 x 1 x 8.2 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

54 customer reviews

Amazon Best Sellers Rank:

#119,189 in Books (See Top 100 in Books)

This is an EXCELLENT book! Critical analysis of not just Bob Dylan's songs but also his many influences. Analysis is given from mainly historical, cultural, and political perspectives; and I feel like I get so much more Dylan's music after reading it. An added bonus is that the author analyzes and references many obscure Dylan songs and influences which has broadened my listening and knowledge options.

The author inserts himself in the story where its appropriate simply because he is part of the story. As the author states early on, he had the good fortune of living in the NY neighborhood when Dylan showed up. I absolutely recommend the tale this author meticulously unfolds about the life and times of this incredible talent. I don't think I'll ever listen to Dylan"s music with the same ears again... I have been influenced by Bob Dylan since 1963, so its saying a lot for me to make these comments.

Although Wilentz's penchant for inserting himself into the narrative is tiresome, this collection of essays is absolutely indispensable for any student of Bob Dylan. Is beautifully written and full of wonderful surprises.

Having followed Bob Dylan's music for now over 30 years, it sometimes seems that it has come out in a place and in a way that is completely unexpected. This book does an interesting job of knitting together the various phases and stages of Dylan's performing and recording career, along with some historical digressions on the musicians that appear to have influenced Dylan's songwriting and music. Wilentz has a good ear and has spent considerable time and attention to the music played on the records and in concert.

No, no, no it ain't insightful soap opera. Those who want the ins and outs of the `real' life Dylan that hides behind closed doors and under the dirty sheets of living a life, well, it ain't here, babe. Missing is the in depth analysis of those who once knew a vagabond minstrel that they heard mutated into a mystical lyrical maestro who sung of esoteric life philosophies. No, no, no this work does not flow with the juices of an exciting tabloid expose. No, no, no, it ain't here babe. It's more about the music and the man, man. It does, however, examine the musical metamorphosis of a popular music icon with what some view as an unfortunate scholarly flair. In case it isn't clear, I enjoyed the book for what it is. It was what I was looking for and I give it 5 stars for delivering the goods.

Best bio so far. Liked that there was a lot of focus on the world gone wrong era. a must read for the Dylan fan. Also recommend the ratso book On the Road with Bob Dylan and No Direction Home.

In the past decade, Bob Dylan appears to have discovered Aaron Copland, using pieces from his compositions to open his concert. Wilentz opens his book with an attempt to connect Dylan to Copland that isn't very convincing but does provide an interesting look into the Popular Front of the 1930s and later folk movement spearheaded by Woody Guthrie and Pete Seeger. Wilentz is on more solid ground when he explores Dylan's connection to the Beats in the succeeding chapter, in particular Allen Ginsburg, who I guess can be credited with opening up Bob to a broader plain of music, which eventually led Dylan away from the "folkies."As Wilentz notes late in the book, many of these chapters are culled from previous essays and articles he has written. His chapter on the 1964 Concert at Philharmonic Hall is taken largely from the liner notes he wrote for Bootleg Series 6: Concert at Philharmonic Hall. So, for Dylan aficionados you may have felt you have read much of this before. Not to worry though, there is fresh material, such as his wonderful explorations of many of Dylan's classic songs like Nettie Moore and Blind Willie McTell.Wilentz jokes that he became the "Historian in Residence" for the official Bob Dylan website, and he also notes the many concerts he has been to over the years, including the 64 Concert and one of the 75 Rolling Thunder Revue stops in New Haven, Connecticut, giving him an inside view of Dylan and his musical process that few others have. He notes the extensive conversations he had with Al Kooper and other persons who played with Dylan over the years, and notes the collaborative work he did with Greil Marcus. Nevertheless, Wilentz is first and foremost a historian, not a musicologist, so his attempts to dissect Dylan's music sometimes fall flat.One of his more interesting chapters is his review of the 1975 Rolling Thunder Revue and the movie, Renaldo and Clara, a cinematic byproduct of that tour. At nearly 5 hours, Renaldo and Clara, is more a test of patience than an epic account of the concert. Dylan had long been an aspiring actor, and after getting a bit role in Pat Garrett and Billy the Kid and writing the soundtrack for the Sam Peckinpah movie, he enlisted Sam Shepard and Howard Alk to make something of the tour. In the end, Dylan took the credit for this sprawling film that mixes acted scenes with concert footage, echoing his passion for the French classic film, Children of Paradise.What makes this cultural biography stand out are the valuable insights into Dylan's unique compositional process that has befuddled critics over the years, even leading to calls of plagiarism. But, as Wilentz points out, Dylan has tapped into the heart of American music and added to it influences from far and wide that is fully in keeping with the folk tradition. Like Pete Seeger, Bob Dylan is a "link in the chain," and a very important one.

If you 1)are a fan of Dylan 2)have more than a passing interest in American history 3)enjoy a well thought out and finely written book involving both 1 & 2, then this is the book. An astute observation of one the great poets/songwirters of the 20th/21st c. and a fascinating analysis of his inspirations and thought processes. One of the beauties of satellite radio is the opportunity to listen to Bob's 'Theme Time Radio Hour'in which Bob spins a mixture of old and new American music whle also supplying humor, insight and information in a style all his own. It is, like the man, intelligent, thoughtful, funny as hell and even poignant. Willentz' book is an excellent addition to any library, offering one plenty of inspiration to go back to Dylan stuff you thought you knew and listen to it again--with new ears. Made me appreciate Dylan more, but also caused me to gain a new measure, of my already healthy respect, for Bob's place in the history, life and growth of this great nation. Thank you, Sean.

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Product details

File Size: 1086 KB

Print Length: 324 pages

Publisher: W. W. Norton & Company; Reprint edition (December 20, 2010)

Publication Date: December 20, 2010

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B004H4X83Q

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#77,815 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I would have been a lot more disappointed in the 100% European results of my recent DNA test if I hadn't happened to be reading The Seven Daughters of Eve when my pie chart came in over the Internet. The book focuses largely on European mitochondrial DNA. Bryan Sykes made me realize that European ancestry isn't just boring "white bread." My ancestors have been milling around in Europe for tens of thousands of years, through episodes of extreme climate change and sudden technological innovations. The author, a pioneer in the study of mitochondrial DNA as a window into the past, writes in a lively and at times humorous way about what could have been a dry topic. (Sometimes he lost me in the technicalities, but I just bashed my way out of the woods and read on.) Now I want to know which of the Seven Daughters is my great-great-etc.-grandmother.

I thoroughly enjoyed this book because you could tell that Bryan Sykes so thoroughly enjoyed the scientific investigations he took on throughout his professional life. He was not only a rigorous genetics scientist but valued the use of imagination in his work and was not afraid to use expertise from other scientific branches--paleontology, archaeology, mathematics--to help his projects go forward and find answers. Many people did not like his "stories" of the seven daughters. I did. You know he researched what the climate was like, what plants were growing at the different ages, what the landscape looked like, what animals roamed the land, what people would have eaten back then. Perhaps the stories themselves were a bit simplistic but I was fascinated by all of the background info. And now his stories raise a question that I cannot answer right now: would I rather live in Europe now with its large, polluted cities and overpopulation or way back when only small bands of people roamed Europe with the cold, the constant hunt for food, the constant perils to one's life, and the overwhelming emptiness of the area?

If you have had DNA testing done, especially if you are a woman, this book is a must read. It explains the source of your particular type of DNA in story form that is easily understandable. Our DNA is passed down remarkably unchanged over centuries from mother to daughter. You will find out where in the world your DNA originated and what kind of life ancient people lived there. Even children might enjoy these stories if they are interested in science and DNA testing.

Characterizing the seven daughters in the last chapters was difficult and it showed but still it was mildly interesting. I really liked the rest of the book. Another thing I liked was the layman level presentation of the science and practice of DNA rendering. I am so glad the author did not try to go back much further than 25,000± years and I give him credit for this. The spread of "DNA" by the Polynesians from island to island was fascinating and so was the British Isles. This is one of the best books I have read in the last year.

I liked it as an anthropology book, but the stories he wrote about the seven grandmothers were a bit much. I realize he was trying to put a human face on all of them, but writers of stone age novels don't have to worry about a new rival. Still it is about the development of mitochondrial DNA and how Sykes was exonerated by the false charges from a research assistant, and by the nasty statements by Anthony Sforza of Stanford who must now feel like a fool for his vicious comments towards Sykes. I worked in academia as a business officer for twenty years at different universities and got to see this nasty and vicious jealousy first hand over and over. Sykes seminal contribution for female mitochondrial DNA is just as important as Sforza's seminal contribution for male Y chromosome DNA.

There are seven individual women, who lived between 10,000 years ago and 45,000 years ago between the Middle East and various areas of Europe, who are the direct ancestors of 95% of all European people alive today. Yes, exactly seven women. I am European, so I am likely the direct descendent of one of those seven individuals.The author Bryan Sykes is a professor of human genetics at the University of Oxford. He has done pioneering work in genetics, specializing in studying mitochondrial DNA. One of the striking attributes is that the mitochondrial DNA is not passed on by males, only by females. Therefore, my personal mitochondrial DNA can be studied and compared with that of other contemporaries. When Sykes did this, he discovered that all modern Europeans pretty much belonged to one of only seven “groups” or “clans” as he calls them. Studying mutation frequency and the base mitochondrial DNA, coupled with the anthropological record, he was able to determine that there were seven specific women that are the mothers of all Europeans.He then traced further back into our African roots and found one single woman, who lived about 150,000 years ago in Africa, who is the mother of all human beings alive today. He calls her fittingly Mitochondrial Eve.Sykes writes The Seven Daughters of Eve for the non-scientist, but he goes through great pains to describe his research, the steps he went through to come to his conclusions, and the various scientific hurdles he had to jump. The book reads like a detective story, and I had trouble putting it down. After he makes his scientific points, the muses about the lives of the seven women. How might they have lived, what were the conditions of their lives like, how did they spend their days?A number of negative reviews challenge details in Sykes' conclusions, and the way he builds his "case" in this book. I found his excursion into Polynesia very helpful, because he used the simpler scenarios there as a vehicle to introduce me (who is not a biologist or geneticist) to the subject. After the Polynesia story, I was ready for Europe.I also enjoyed reading his fictional musings about what the lives of the seven women may have been like very helpful. I haven't studied anthropology, and I felt like he was sort of holding my hand and showing me what he speculated. It gave me visuals to work with.The roots of our human existence, our history and our unique humanness became alive for me as I read this book. Many times I was caught in reveries, dreaming about the lives of my ancestors. I was overwhelmed by the immense time periods that have elapsed, and how very unlikely our human existence actually is. 45,000 years represents about 2,000 generations. I know my grandmother. That’s three generations. However, my grandmother’s DNA comes from one of the seven daughters of Eve, 2,000 generations ago.The book may not work for scientists. It's not a textbook. But I don't believe that's what he tried to write here. I wanted to popularize the subject of mitochondrial DNA to laymen, like me. And that's exactly what he did.The Seven Daughters of Eve inspired me on many levels and has enriched my life. I will never think about humanity the same way again.

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