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Bob Dylan in America, by Sean Wilentz
Free Download Bob Dylan in America, by Sean Wilentz
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Review
"Wilentz’s book stands apart . . . in the lucidity of its prose, the rigor of its research and convincing originality of the place he assigns his subject in the context of American cultural history. . . . Here is scholarship that successfully slips the bonds of specialty and pretension.” —Los Angeles Times “Author Sean Wilentz combines a lifelong music fan’s enthusiasm with a history detective’s doggedness to unearth Dylan’s entire root system. . . . The book is at once a time-hopping biography; a catalog of Dylan’s myriad, eclectic influences . . . and a primer on American music.” —The Christian Science Monitor “Not just another biography of the chameleon folkie-rock-star-poet-troubadour. . . . At once deeply felt and historically layered.” —The Washington Post Book World“Among those who write about Dylan, Wilentz possesses the rare virtues of modesty, nuance and lucidity, and for that he should be celebrated and treasured.” —The New York Times Book Review “A panoramic vision of Bob Dylan, his music, his shifting place in American culture, from multiple angles. In fact, reading Sean Wilentz’s Bob Dylan in America is as thrilling and surprising as listening to a great Dylan song.” —Martin Scorsese“Extraordinary. . . . With Wilentz, the world around, and inside the head of, Bob Dylan becomes an aperture into the deeper meaning of the American experience. . . . Wilentz has managed to write both the most important book on American history and the most important book on American music in recent memory.” —PopMatters.com “An enjoyably thorough, convincing explanation why Dylan’s music has gone on finding new audiences ever since he burst upon the New York folk scene of the early 1960s, fresh from the iron range of northern Minnesota and ferociously ambitious for his art.” —Los Angeles Times “All the American connections that Wilentz draws to explain the appearance of Dylan’s music are fascinating, particularly at the outset the connection to Aaron Copland. The writing is strong, the thinking is strong— the book is dense and strong everywhere you look.” —Philip Roth“Passionate and informative.” —The New York Review of Books “A tour de force. . . . By the end, he’s masterfully … offer[ed] not so much an image of Dylan’s place in America as a carefully calibrated lens with which to see it for yourself.” —Newsweek “Unlike so many Dylan-writer-wannabes and phony ‘encyclopedia’ compilers, Sean Wilentz makes me feel he was in the room when he chronicles events that I participated in. Finally a breath of fresh words founded in hardcore, intelligent research.” —Al Kooper“[Bob Dylan in America’s] unusual structure [is] well-suited to exploring Dylan’s career, with its many distinct eras governed by different rules, even different gods. The Dylan of this book is not a troubadour or a trickster or a radical, but an alchemist who never met a snippet of music, writing, or art that he couldn’t make his own.” —New York Magazine “A reading of Dylan’s work within the wider framework of American culture—a [topic] Wilentz . . . tackles with vigor.” —The Onion’s A.V. Club “Wilentz lays out nuanced arguments on the profound effect Dylan has had on expanding the American consciousness in his five-decade career as a singer and songwriter.” —The Newark Star-Ledger “[Wilentz] mixes his history and critical assessments with long, often thrilling accounts of concerts and recording sessions. . . . What this book finally does—this is me, not Wilentz—is establish Dylan as the 20th century’s Walt Whitman.”—Bryan Appleyard, The Times (London) “Sean Wilentz is one of the few great American historians. His political and social histories of American Democracy are masterful and magisterial…. A masterpiece of cultural history that tells us much about who we have been and who we are.” —Cornel West, Class of 1943 University Professor in the Center for African American Studies at Princeton University “Interesting and intelligent.” —The Guardian (London) “By focusing on the parts of Dylan’s canon that most move him, Wilentz gets straight to the heart of the matter. If you thought there was nothing new to say about Bob Dylan’s impact on America, this book will make you think twice.” —Bill Flanagan, author of A&R and Evening’s Empire and Editorial Director, MTV Networks“Wilentz combines his deep musical knowledge with the skills of the fine historian to write one of the most important, insightful and revelatory books about America, its culture and its people, as interpreted through the works of one of its greatest artists. His book is a work both of deep scholarship and profound cultural engagement: a rare and marvelous achievement.” –Philip King, The Irish Times
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About the Author
Sean Wilentz is the George Henry Davis 1886 Professor of American History at Princeton University. He is the author of The Rise of American Democracy, which received the coveted Bancroft Prize, and most recently of The Age of Reagan. The historian-in-residence for Bob Dylan’s official We site, he has also received a Deems Taylor Award for musical commentary and a Grammy nomination for his liner notes to Bootleg Series, Vol. 6: Bob Dylan, Live 1964: The Concert at Philharmonic Hall.
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Product details
Paperback: 416 pages
Publisher: Anchor; Reprint edition (October 4, 2011)
Language: English
ISBN-10: 0767931793
ISBN-13: 978-0767931793
Product Dimensions:
5.4 x 1 x 8.2 inches
Shipping Weight: 14.4 ounces (View shipping rates and policies)
Average Customer Review:
3.6 out of 5 stars
54 customer reviews
Amazon Best Sellers Rank:
#119,189 in Books (See Top 100 in Books)
This is an EXCELLENT book! Critical analysis of not just Bob Dylan's songs but also his many influences. Analysis is given from mainly historical, cultural, and political perspectives; and I feel like I get so much more Dylan's music after reading it. An added bonus is that the author analyzes and references many obscure Dylan songs and influences which has broadened my listening and knowledge options.
The author inserts himself in the story where its appropriate simply because he is part of the story. As the author states early on, he had the good fortune of living in the NY neighborhood when Dylan showed up. I absolutely recommend the tale this author meticulously unfolds about the life and times of this incredible talent. I don't think I'll ever listen to Dylan"s music with the same ears again... I have been influenced by Bob Dylan since 1963, so its saying a lot for me to make these comments.
Although Wilentz's penchant for inserting himself into the narrative is tiresome, this collection of essays is absolutely indispensable for any student of Bob Dylan. Is beautifully written and full of wonderful surprises.
Having followed Bob Dylan's music for now over 30 years, it sometimes seems that it has come out in a place and in a way that is completely unexpected. This book does an interesting job of knitting together the various phases and stages of Dylan's performing and recording career, along with some historical digressions on the musicians that appear to have influenced Dylan's songwriting and music. Wilentz has a good ear and has spent considerable time and attention to the music played on the records and in concert.
No, no, no it ain't insightful soap opera. Those who want the ins and outs of the `real' life Dylan that hides behind closed doors and under the dirty sheets of living a life, well, it ain't here, babe. Missing is the in depth analysis of those who once knew a vagabond minstrel that they heard mutated into a mystical lyrical maestro who sung of esoteric life philosophies. No, no, no this work does not flow with the juices of an exciting tabloid expose. No, no, no, it ain't here babe. It's more about the music and the man, man. It does, however, examine the musical metamorphosis of a popular music icon with what some view as an unfortunate scholarly flair. In case it isn't clear, I enjoyed the book for what it is. It was what I was looking for and I give it 5 stars for delivering the goods.
Best bio so far. Liked that there was a lot of focus on the world gone wrong era. a must read for the Dylan fan. Also recommend the ratso book On the Road with Bob Dylan and No Direction Home.
In the past decade, Bob Dylan appears to have discovered Aaron Copland, using pieces from his compositions to open his concert. Wilentz opens his book with an attempt to connect Dylan to Copland that isn't very convincing but does provide an interesting look into the Popular Front of the 1930s and later folk movement spearheaded by Woody Guthrie and Pete Seeger. Wilentz is on more solid ground when he explores Dylan's connection to the Beats in the succeeding chapter, in particular Allen Ginsburg, who I guess can be credited with opening up Bob to a broader plain of music, which eventually led Dylan away from the "folkies."As Wilentz notes late in the book, many of these chapters are culled from previous essays and articles he has written. His chapter on the 1964 Concert at Philharmonic Hall is taken largely from the liner notes he wrote for Bootleg Series 6: Concert at Philharmonic Hall. So, for Dylan aficionados you may have felt you have read much of this before. Not to worry though, there is fresh material, such as his wonderful explorations of many of Dylan's classic songs like Nettie Moore and Blind Willie McTell.Wilentz jokes that he became the "Historian in Residence" for the official Bob Dylan website, and he also notes the many concerts he has been to over the years, including the 64 Concert and one of the 75 Rolling Thunder Revue stops in New Haven, Connecticut, giving him an inside view of Dylan and his musical process that few others have. He notes the extensive conversations he had with Al Kooper and other persons who played with Dylan over the years, and notes the collaborative work he did with Greil Marcus. Nevertheless, Wilentz is first and foremost a historian, not a musicologist, so his attempts to dissect Dylan's music sometimes fall flat.One of his more interesting chapters is his review of the 1975 Rolling Thunder Revue and the movie, Renaldo and Clara, a cinematic byproduct of that tour. At nearly 5 hours, Renaldo and Clara, is more a test of patience than an epic account of the concert. Dylan had long been an aspiring actor, and after getting a bit role in Pat Garrett and Billy the Kid and writing the soundtrack for the Sam Peckinpah movie, he enlisted Sam Shepard and Howard Alk to make something of the tour. In the end, Dylan took the credit for this sprawling film that mixes acted scenes with concert footage, echoing his passion for the French classic film, Children of Paradise.What makes this cultural biography stand out are the valuable insights into Dylan's unique compositional process that has befuddled critics over the years, even leading to calls of plagiarism. But, as Wilentz points out, Dylan has tapped into the heart of American music and added to it influences from far and wide that is fully in keeping with the folk tradition. Like Pete Seeger, Bob Dylan is a "link in the chain," and a very important one.
If you 1)are a fan of Dylan 2)have more than a passing interest in American history 3)enjoy a well thought out and finely written book involving both 1 & 2, then this is the book. An astute observation of one the great poets/songwirters of the 20th/21st c. and a fascinating analysis of his inspirations and thought processes. One of the beauties of satellite radio is the opportunity to listen to Bob's 'Theme Time Radio Hour'in which Bob spins a mixture of old and new American music whle also supplying humor, insight and information in a style all his own. It is, like the man, intelligent, thoughtful, funny as hell and even poignant. Willentz' book is an excellent addition to any library, offering one plenty of inspiration to go back to Dylan stuff you thought you knew and listen to it again--with new ears. Made me appreciate Dylan more, but also caused me to gain a new measure, of my already healthy respect, for Bob's place in the history, life and growth of this great nation. Thank you, Sean.
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